The magical kingdom of Lucis is home to the hallowed Crystal, but the menacing empire of Niflheim will stop at nothing to make it theirs. War has raged between the two for as long as most can remember. King Regis of Lucis commands an elite force of soldiers dubbed the Kingsglaive. Wielding their king’s magic, Nyx Ulric and his fellow glaives stand before the crown city of Insomnia, fighting to stay the inexorable advance of Niflheim’s imperial army. Before the overwhelming military might of the empire, King Regis can only salvage his kingdom by accepting an ultimatum-he must cede all lands outside the crown city, and see his son, Prince Noctis, wed to Lady Lunafreya, the former princess of Tenebrae now captive of Niflheim. As the war of wills rages, the machinations of Niflheim transform Insomnia into an awe-inspiring battleground, pulling Nyx into a struggle for the very survival of the kingdom.
Joe a quaint NYU physics professor one day is drugged by Nacho, the shaman of Jewish mysticism criminal group, and so Jack– Joe’s violent alternative personality–starts to emerge. Thus he travels to LA and with the help of his ex-lover Blondie, Joe searches for Nacho before it’s too late and Jack takes over.
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When Peter and his girlfriend, Gail, cross paths with the charismatic Dima on their Moroccan holiday, the forceful Russian is quick to challenge Peter to a friendly game of tennis. But this innocuous contest is not all it seems – Dima is a long-time servant of the Russian mafia, whose new boss, ‘The Prince’, wants him and his family dead. His only hope is to ask the unsuspecting Peter to broker him sanctuary with the British intelligence services, in return for exposing a vein of corruption that runs right to the heart of the City of London. Soon they find themselves on a tortuous journey through Paris to a safe house in the Swiss Alps and, with the might of the Russian mafia closing in, begin to realise this particular match has the highest stakes of all…
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An ex-con reunites with his estranged wayward 16-year old daughter to protect her from drug dealers who are trying to kill her.
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While attending college in Cape Town, Melea Martin feels constrained by the school’s strict policies, and decides to set out on her own. Searching for a way to use her talents as a dancer and inspire the community around her, Melea rents a failing theater in order to put on a Hip-Hop Romeo and Juliet performance. But much like the Capulets and Montagues, conflicts between cast members threaten to bring the whole performance to a halt…
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Retired mixed martial artist Wes “The Jailor” Baylor (Scott Adkins) can’t refuse a million-dollar purse he’s offered for one final bout in Myanmar. But when he arrives for the fight, he learns he’s been tricked into becoming the target of a human hunt. Carrying only water and a ruby-filled money belt for the last person standing, Wes must outsmart the heavily armed group that has paid to kill him. As he fights for his life in the treacherous jungle terrain, the hunters become the hunted.
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An elite team of DEA agents are assigned to protect a dangerous drug lord and take refuge in a luxury hotel while they await extraction. They soon find themselves at the center of an ambush as the drug lord’s former associates launch an explosive assault on the hotel. (more…)
In a world where superheroes have been real for decades, an accountant with zero powers comes to realize his city is owned by a super villain. As he struggles to uncover this conspiracy, he falls in league with a strange blue superhero.
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In 2029 an ex-military drifter risks his life to protect a woman from her dangerous ex in the lawless State of Jefferson. He’s aided by his A.I. implant Clyde who proves partner and friend.
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When, one day of 1929, writer Thomas Wolfe, decided to keep the appointment made by Max Perkins, editor at Scribner’s, he had no illusions: his manuscript would be turned down as had invariably been the case. But, to his happy amazement, his novel, which was to become “Look Homeward, Angel”, was accepted for publication. The only trouble was that it was overlong (5,000 pages) and had to be reduced. Although reluctant to see his poetic prose trimmed, Wolfe agreed and helped by Perkins, who had become a true friend, managed to cut 90,000 words from the book, with the result that it instantly became a favorite with the critics and best seller. Success was even greater in 1935 when “Of Time end the River” appeared, but the fight for reducing Wolfe’s logorrheic written expression had been even longer (over two years) and bitter ultimately taking its toll, the relationships between the two men gradually deteriorating. Wolfe did not feel grateful to Perkins any longer but had started …
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