8 episodes
“Fallout” (Season 2) — continues the post-apocalyptic saga by sending Lucy MacLean and The Ghoul into New Vegas, where they search for Lucy’s father, Hank, whose dark ties to Vault-Tec are revealed, while Maximus rises within the Brotherhood of Steel, which faces internal conflict, and the powerful figure Robert House emerges as a central player in the wasteland’s future. Set two centuries after the Great War, the story picks up directly after the explosive revelations of Season 1 as Lucy, shaken by the truth of her father’s past, reluctantly teams up with The Ghoul on a perilous journey to New Vegas, a city that survived the nuclear holocaust and now thrives under the enigmatic rule of Robert House. Their quest intertwines personal motives: Lucy seeks answers about Hank’s betrayal, while The Ghoul wrestles with fragments of his humanity and memories of his pre-war life as Cooper Howard. The Brotherhood, now wielding the Cold Fusion relic, becomes a major factional force, but internal divisions threaten civil war as Elder Cleric Quintus pushes for ruthless expansion, forcing Maximus to question his loyalty and morality. Themes of factional conflict, betrayal, and survival dominate, mirroring the branching narratives of Fallout: New Vegas, as Lucy’s struggle to retain her humanity contrasts with The Ghoul’s descent into moral ambiguity, while Maximus embodies the tension between duty and conscience, and the introduction of New Vegas expands the scope with political intrigue, shifting alliances, and brutal wasteland justice. “Fallout” (Season 2) blends authentic game elements with character-driven drama, raising the stakes and delivering a larger, more complex narrative that explores how individuals and factions shape the fragile balance of power in a devastated world. More …
6 episodes
“Miss Scarlet & the Duke” (season 6) — unfolds as Eliza Scarlet steps into a new era of Victorian sleuthing, navigating shifting power at Scotland Yard after DI Alexander Blake’s rise and the arrival of ambitious newcomer Detective George Willows, whose presence unsettles the fragile balance of alliances around her, while Ivy and Potts adjust to married life and Nash continues to wreak havoc from across the globe, pulling strings that threaten to upend Eliza’s hard‑won independence. As Eliza and Blake’s once‑fraught partnership begins to evolve into something sharper and more volatile, their cases drag them through psychiatric escapes, elite scandals, treasure hunts, and diplomatic murders, each investigation tightening the tension between personal loyalty and professional ambition. With Moses Valentine returning to London just when she needs him most, Eliza finds herself caught between old loyalties and new dangers, forced to confront whether her relentless pursuit of justice leaves room for anything resembling a life beyond the job. “Miss Scarlet & the Duke” (season 6) positions itself as a charged, character‑driven mystery cycle where shifting alliances, rising stakes, and the ghosts of past seasons collide to test Eliza’s resolve more fiercely than ever. More …
4 episodes
“V.C. Andrews’ Dawn” (season 1) — unfolds as Dawn Longchamp, raised in a modest but loving family, has her entire world ripped apart when the shocking truth about her parentage forces her into the wealthy but poisonous Cutler clan, where her cruel grandmother Lillian rules with an iron fist and every secret in the mansion seems designed to break her spirit. As Dawn is pulled deeper into the family’s labyrinth of lies, she begins to sense that the truth about her past is even darker than anyone admits. Each new revelation tightens the emotional vise around her, pushing her to choose between survival and the person she once believed herself to be. As Dawn is thrust into a life of privilege laced with manipulation, obsession, and generational curses, she fights to hold onto her identity while navigating forbidden love, the trauma of being separated from everyone she once trusted, and the dark legacy that binds the Cutlers together. Her journey carries her from the suffocating halls of Cutler’s Cove to a New York performing‑arts school where new temptations and betrayals await. “V.C. Andrews’ Dawn” (season 1) positions itself as a gothic, emotionally charged saga of stolen childhoods, twisted loyalties, and a young woman’s fight to break a generational curse before it consumes her completely. More …
6 episodes
“Red Eye” (season 2) — unfolds as DC Hana Li, still reeling from the fallout of the Flight 357 conspiracy, is pulled into a new geopolitical nightmare when a high‑profile British tech executive vanishes in Beijing under circumstances that echo the cover‑ups she thought she’d left behind, forcing her back into the crosshairs of MI5, Chinese state security, and the shadow networks that profit from both. As Hana returns to China — this time not as a suspect but as the only person who understands the machinery of deception at play — the investigation drags her through surveillance‑soaked streets, corporate espionage rings, and diplomatic pressure cookers where every ally might be an informant and every truth is weaponised. With the British government desperate to avoid another international scandal and the Chinese authorities determined to control the narrative, Hana finds herself navigating a tightening maze of political theatre, personal betrayal, and buried trauma from her first ordeal, all while a new adversary emerges who seems to anticipate her every move. “Red Eye” (season 2) positions itself as a tense, escalating conspiracy thriller where borders blur, loyalties fracture, and Hana must decide how much of herself she’s willing to sacrifice to expose a truth that could ignite a global crisis. More …
6 episodes
“Dear Life” (season 1) — unfolds as Lillian Vandenberg, shattered by the sudden death of her fiancé Ash after he is attacked at work and taken off life support, spirals through months of grief in Ballarat, unable to work, unable to heal, and unable to face the victim impact statement she is expected to write, while her cousin Hamish and her best friend Mary — who was on shift the night Ash died and now battles her own trauma — struggle to hold her together. When Lillian receives an anonymous letter from the man who received Ash’s donated heart, a Barossa Valley winemaker named Andrew Schneider, she becomes fixated on the lives saved by Ash’s organs and impulsively tracks Andrew down, only to trigger a painful, chaotic chain of encounters that expose the raw edges of her grief and the fractures in the people around her. As Lillian, Mary, and Hamish navigate the legal fallout of Ash’s death, the emotional wreckage of their intertwined relationships, and the strange, intimate connection between donor families and recipients, the season becomes a darkly comic, deeply human study of trauma, guilt, and the desperate search for meaning after loss. “Dear Life” (season 1) positions itself as a grounded, emotionally charged dramedy where healing is messy, connection is accidental, and every attempt to move forward risks reopening the wounds everyone is trying to hide. More …
6 episodes
“Warren’s Vortex” (season 1) — unfolds as Lower Hutt dad Warren Harrison, who has spent twenty years casually tossing garden rubbish into the interdimensional vortex hidden in his shed, is thrust into chaos when his 18‑year‑old daughter Lucy is suddenly sucked inside, forcing him to leap after her and hurling them through a chain of bizarre future realities where intelligent refrigerators rule, backyard competitions become deadly, laser‑eyed real‑estate robots stalk empty cities, mobile‑game zombies overrun their street, and a 1930s murder‑mystery time loop resets with every wrong guess. In the split second before he jumps, Warren realizes he has no idea what kind of father he’ll need to become to get her back. And once inside, the vortex seems almost alive, twisting each world to test them in ways neither is prepared for. As they crash through each twisted timeline — encountering alternate versions of neighbors, friends, and enemies — Warren’s frantic attempts to protect Lucy collide with the absurdity of worlds that obey no logic but their own, turning their journey into a chaotic, heartfelt scramble for survival. “Warren’s Vortex” (season 1) positions itself as a fast‑moving, surreal sci‑fi comedy where family bonds are tested across dimensions, reality bends into nonsense, and an ordinary dad must improvise his way through universes that seem determined to break him. More …
3 episodes
“Goolagong” (season 1) — unfolds as Evonne Goolagong Cawley rises from a small‑town childhood in Barellan to the global glare of the tennis world, a prodigy whose smooth, effortless game catches the eye of coach Vic Edwards and propels her from backyard courts to Wimbledon’s centre stage, even as she navigates the weight of being an Indigenous Australian woman competing in an era shadowed by apartheid politics and relentless scrutiny. At the height of her ascent, the contrast between her quiet humility and the world’s ravenous expectations becomes a pressure she can no longer ignore. Her journey, shaped by the sacrifices of her family, the intensity of Edwards’ mentorship, and the pressures of fame, becomes a battle not only against rivals like Margaret Court but against the expectations, exploitation, and cultural barriers that threaten to define her more than her talent. As injuries, media storms, and personal crossroads test her resolve, Evonne’s grace under fire and refusal to break transform her into one of Australia’s most beloved champions, a symbol of resilience whose triumphs echo far beyond the court. “Goolagong” (season 1) positions itself as an intimate, quietly powerful biographical drama about a young woman carving her place in history through brilliance, endurance, and an unshakable sense of self. More …
6 episodes
“Free Bert” (season 1) — unfolds as comedian Bert Kreischer, playing a heightened version of himself, stumbles into a mid‑life reckoning after a humiliating moment at Rob Lowe’s birthday party forces him to confront the truth that the world sees him only as the shirtless, chaotic party‑guy he built his career on, pushing him to overcorrect by barging into the lives of his wife LeeAnn and daughters Georgia and Ila with a desperate, clumsy determination to finally be a present father. His attempts to help Georgia fit into the elite Barklidge private school spiral into disaster — from a well‑intentioned but mortifying podcast story that goes viral to confrontations with the powerful Vanderthal family — each misstep exposing how badly he wants to be better and how easily he makes everything worse. As Bert ricochets between stand‑up meltdowns, school politics, and his own insecurities, the season tightens around the tension between the persona he performs and the man he’s terrified he might actually be, culminating in a choice between fitting into Beverly Hills expectations or embracing the messy, earnest version of himself his family has been waiting for. “Free Bert” (season 1) positions itself as a chaotic, self‑aware comedy about a man trying to rewrite his story before his daughters grow up without him — and discovering that the hardest part of changing your life is getting out of your own way. More …
“Hard Truths” (2025) — unfolds as Pansy Deacon, a depressed, anxious, sharp‑tongued London woman whose world has shrunk to the suffocating walls of her tidy home, spirals through days filled with petty fights, misdirected rage, and a gnawing fear that her own family secretly despises her, while her jovial sister Chantelle tries to pull her toward healing as the fifth anniversary of their mother’s death approaches, forcing Pansy into a reckoning she has avoided for years. Her simmering resentment toward her husband Curtley and her unmotivated adult son Moses curdles into constant conflict, each encounter exposing the fractures in a life defined by bitterness and unspoken grief, until a tense visit to their mother’s grave cracks open the truth she has buried: her belief that she was unloved, overlooked, and pushed into a role she never chose. As Chantelle challenges her narrative and offers a rare moment of tenderness, Pansy’s emotional armor falters, revealing a woman terrified of being hated yet unable to stop lashing out, her silence at the family gathering that follows becoming its own quiet confession. “Hard Truths” (2025) positions itself as a raw, intimate character study where anger masks heartbreak, family becomes both wound and refuge, and a woman on the brink must confront the painful possibility that the life she resents is the only one still trying to hold her together. More …
5 episodes
“Grime Kids” (season 1) — unfolds as five boys in Bow, East London, in the summer of 2001 chase the raw, electric promise of music as they try to carve out a voice in a world that barely notices them, forming the Gladiator Crew and stumbling through club nights, pirate‑radio dreams, and the bruising realities of growing up in a place where ambition collides with poverty, grief, and loyalty. Their summer spirals from sneaking into the biggest club night of the season to hustling for equipment, laying down their first track, and performing live for the first time, each step tightening the bond between them while exposing old wounds — Dane’s simmering conflict with Kai, Junior’s buried trauma, Bayo’s sister reaching for her own spotlight, and Bishop’s descent into trouble that threatens to pull the whole crew under. As house parties explode into chaos, rivalries sharpen, and the boys fight to get their music on the radio, the season becomes a portrait of youth on the edge of something bigger than themselves, where every beat they create is both an escape and a declaration. “Grime Kids” (season 1) positions itself as a gritty, heartfelt coming‑of‑age story about friendship, survival, and the birth of a sound powerful enough to carry them beyond the limits of their postcode. More …
