“War Machine” (2026) — follows the final recruits of a punishing special‑ops boot camp whose last days of training implode when a hostile force from beyond this world breaches the perimeter, turning their isolated military compound into a sealed arena where discipline fractures under the weight of terror. As the recruits struggle to survive, they realize the threat isn’t just alien but frighteningly adaptive, responding to their tactics with an intelligence that feels deliberate, as if it has been observing them long before the first attack. The deeper they push into the chaos, the more they uncover signs that their training program may have been designed not to prepare them, but to expose them — testing their breaking points, cataloging their reactions, and feeding data into something far larger than any of them imagined. The compound’s blackout, the missing instructors, and the sudden disappearance of communication lines only tighten the sense that they’ve been abandoned inside an experiment disguised as a battlefield. As paranoia spreads and alliances crumble, the recruits must confront the possibility that the enemy hunting them is not only extraterrestrial but intertwined with the very command structure they trusted. “War Machine” (2026) positions itself as a relentless sci‑fi survival thriller where young soldiers face a war engineered in the shadows, and where the line between human resilience and human expendability dissolves under the pressure of an evolving, unknowable predator. (more…)
8 episodes
An adult animated series based on the Skybound/Image comic about a teenager whose father is the most powerful superhero on the planet. (more…)
8 episodes
“Young Sherlock” (season 1) — follows a brilliant but undisciplined 19‑year‑old Sherlock Holmes at Oxford, whose life detonates when he becomes the prime suspect in a campus murder that forces him into his first real investigation, pulling him into a conspiracy stretching far beyond the university’s walls. As he races to clear his name, Sherlock’s raw intellect clashes with his impulsiveness, drawing him into dangerous entanglements with secret societies, political operatives, and a shadowy network whose motives reach from Oxford to war‑scarred Europe. His uneasy alliance with the sharp, unpredictable James Moriarty becomes both a catalyst and a threat, pushing Sherlock toward the instincts that will one day define him while exposing the vulnerabilities he’s desperate to hide. The deeper they descend into the case, the more Sherlock senses that Moriarty’s help comes with a price he hasn’t yet understood. Each revelation forces Sherlock to confront the possibility that the enemy he’s chasing may be shaping him into something he never intended to become. The season escalates through coded messages, hidden family secrets, and a globe‑spanning plot that forces Sherlock to confront the truth about his own lineage and the cost of pursuing answers at any price. “Young Sherlock” (season 1) positions itself as a kinetic mystery‑thriller where genius is still unshaped, danger is intimate, and the world’s greatest detective is forged in the fire of his first case. (more…)
“The Electric State” (2025) — follows a runaway teenager traveling across a collapsing retro‑futuristic America with a loyal yellow robot sent by her missing brother, their journey cutting through abandoned suburbs, militarized zones, and corporate wastelands where malfunctioning drones and derelict machines haunt the landscape like ghosts of a world that broke itself. As she searches for the truth behind her brother’s disappearance, she becomes entangled in a conflict between rogue AIs, private armies, and a government desperate to hide the consequences of its own technological hubris. The deeper she moves into the electric‑scarred frontier, the more the line blurs between memory and manipulation, between the world she remembers and the one being rewritten around her. Each new encounter forces her to question whether the robot guiding her is a protector or a witness to something far darker. Every mile forward feels like stepping deeper into a story someone else has already decided she must play a part in. The film builds its tension through desolate Americana, fractured family ties, and the quiet dread of a society that surrendered its future to machines it no longer understands. “The Electric State” (2025) positions itself as a melancholic sci‑fi odyssey where hope, loss, and rebellion collide against the neon ruins of a dying world. (more…)
“Road House” (2024) — follows Elwood Dalton, a former UFC middleweight fighter spiraling after a traumatic incident in the ring, now drifting through underground bouts and barely holding himself together. When bar owner Frankie offers him a job as head bouncer at her chaotic roadhouse in the Florida Keys, Dalton reluctantly accepts, hoping the isolation will keep his past at bay. The bar is under constant assault from a motorcycle gang working for local crime boss Ben Brandt, whose family wants to seize the property and turn the town into their own empire. Brandt’s pressure campaign escalates from intimidation to outright warfare, dragging Dalton deeper into a conflict he never intended to fight. The violence surrounding the bar exposes the fractures in Dalton’s attempts to rebuild himself, forcing him to confront the rage he’s been trying to suppress. Dalton’s attempts to restore order pull him into escalating violence, from hospital confrontations to ambushes on his rundown houseboat, where he fends off attacks that leave bodies — and even a crocodile — in their wake. As Brandt brings in Knox, a psychopathic enforcer sent to eliminate Dalton, the conflict erupts into a full‑scale war that forces Dalton to confront both the criminals hunting him and the self‑destructive guilt he’s been running from. “Road House” (2024) blends action, dark humor, and character‑driven brutality as Dalton fights to protect the bar, its people, and the fragile sense of purpose he’s only just begun to reclaim. (more…)
6 episodes
“A Knight of the Seven Kingdoms” (Season 1) — follows Ser Duncan the Tall, a wandering hedge knight of humble birth, who sets out across Westeros after the death of his mentor, hoping to prove that honor can still mean something in a world ruled by bloodlines and pride. His path crosses with a sharp‑tongued, barefoot boy calling himself Egg, whose insistence on becoming Dunk’s squire hides a truth far more dangerous than his small frame suggests. Their bond forms in the quiet spaces between battles and boasts, a fragile trust built on shared hunger and stubborn hope. Even the road itself seems to test them, offering moments of grace and danger in equal measure. Their journey leads them to the great tourney at Ashford, where Dunk’s attempt to enter the lists pulls him into the orbit of volatile Targaryen princes — Aerion Brightflame, Maekar, and the formidable Baelor Breakspear — turning what should have been a simple test of skill into a collision of cruelty, politics, and the rigid hierarchies of the realm. Set nearly a century before Game of Thrones, in a Westeros without dragons or prophecy, the season grounds itself in smallfolk struggles, chivalric ideals, and the fragile hope carried by two unlikely companions whose bond becomes the heart of a quieter, more human story. “A Knight of the Seven Kingdoms” (Season 1) positions itself as an intimate prequel where courage is measured not by birthright, but by the choices made when no one is watching. (more…)
10 episodes
“Spartacus: House of Ashur” (Season 1) — tells an alternate-history continuation of the Spartacus saga, imagining a world where Ashur survived and rose to power. Set six months after the events of Spartacus: War of the Damned, the series rewrites Ashur’s fate, showing him alive after his supposed death and determined to seize control of his destiny. Once a scheming underling in the House of Batiatus, Ashur now becomes master of the same ludus that once enslaved him, and his ambition drives him to reshape the gladiatorial arena, introducing new forms of spectacle that shock Rome’s elite and challenge the traditions of blood sport. The season explores Ashur’s ruthless climb as he allies with a fierce female gladiator to consolidate his influence, their partnership sparking both admiration and outrage and forcing Ashur to navigate treacherous politics among Roman nobles while keeping his gladiators loyal. Old enemies resurface, including familiar figures from the original Spartacus series, while new rivals emerge to test his cunning and brutality. Themes of power, survival, and betrayal dominate the narrative, as Ashur’s story is not one of honor but of manipulation, showing how a man once despised by his peers can twist fate to his advantage, and the series contrasts his opportunism with the lingering legacy of Spartacus, whose rebellion may be crushed but whose ideals still haunt Rome. “Spartacus: House of Ashur” (Season 1) delivers a mix of political intrigue, arena combat, and character-driven drama, reframing the gladiator world through the eyes of its most infamous survivor. (more…)
8 episodes
“Fallout” (Season 2) — continues the post-apocalyptic saga by sending Lucy MacLean and The Ghoul into New Vegas, where they search for Lucy’s father, Hank, whose dark ties to Vault-Tec are revealed, while Maximus rises within the Brotherhood of Steel, which faces internal conflict, and the powerful figure Robert House emerges as a central player in the wasteland’s future. Set two centuries after the Great War, the story picks up directly after the explosive revelations of Season 1 as Lucy, shaken by the truth of her father’s past, reluctantly teams up with The Ghoul on a perilous journey to New Vegas, a city that survived the nuclear holocaust and now thrives under the enigmatic rule of Robert House. Their quest intertwines personal motives: Lucy seeks answers about Hank’s betrayal, while The Ghoul wrestles with fragments of his humanity and memories of his pre-war life as Cooper Howard. The Brotherhood, now wielding the Cold Fusion relic, becomes a major factional force, but internal divisions threaten civil war as Elder Cleric Quintus pushes for ruthless expansion, forcing Maximus to question his loyalty and morality. Themes of factional conflict, betrayal, and survival dominate, mirroring the branching narratives of Fallout: New Vegas, as Lucy’s struggle to retain her humanity contrasts with The Ghoul’s descent into moral ambiguity, while Maximus embodies the tension between duty and conscience, and the introduction of New Vegas expands the scope with political intrigue, shifting alliances, and brutal wasteland justice. “Fallout” (Season 2) blends authentic game elements with character-driven drama, raising the stakes and delivering a larger, more complex narrative that explores how individuals and factions shape the fragile balance of power in a devastated world. (more…)
“The Wrecking Crew” (2026) — unfolds as estranged half‑brothers Jonny Hale, a reckless Oklahoma cop drowning in guilt, and James Hale, a disciplined Navy SEAL hardened by distance and duty, are dragged back into each other’s orbit when their father Walter dies in a supposed hit‑and‑run that reeks of orchestration, pulling them into a violent spiral of Yakuza enforcers, corrupt developers, and family secrets sharpened into weapons. Their uneasy reunion in Honolulu turns explosive as they tear through Walter’s ransacked apartment, uncovering casino blueprints, double‑deals, and a feud between power broker Marcus Robichaux and his wife Monica — each secretly hiring Walter to investigate the other — revealing a conspiracy that stretches from political offices to criminal dens. Attacks from Nakamura’s Yakuza faction escalate, the governor applies pressure, and every lead drags the brothers deeper into a war over Hawaiian land targeted for an illegal casino, all while their unresolved resentment erupts: Jonny haunted by his mother’s unsolved murder, James confessing he pushed him away to shield him from the Syndicate’s reach. The brothers are forced to rely on the bond they spent years destroying, crashing through gunfights, betrayals, and buried truths to uncover what their father died trying to expose. “The Wrecking Crew” (2026) positions itself as a bruised, relentless brotherhood thriller where blood ties cut deeper than bullets and justice demands breaking everything in the way. (more…)
8 episodes
“Wonder Man” (season 1) — unfolds as Simon Williams, a washed‑up Hollywood hopeful whose career has stalled before it ever truly began, stumbles into a last‑chance opportunity when eccentric director Von Kovak announces a remake of the cult superhero film Wonder Man, pulling Simon into a chaotic collision of ego, desperation, and the surreal underbelly of the entertainment industry. His uneasy alliance with Trevor Slattery — a once‑famous, now‑pathetic actor clinging to the scraps of his former notoriety — becomes both a lifeline and a curse as the two chase the same role, navigating a world where auditions feel like battlegrounds, every smile hides a threat, and the line between performance and identity dissolves under the pressure of ambition. As Simon’s personal life fractures and his brother Eric’s shadow looms over him, the pursuit of stardom mutates into a psychological crucible that forces him to confront the parts of himself he’s spent years avoiding, even as Hollywood’s machinery chews through his confidence, his relationships, and his sense of reality. With each episode peeling back another layer of the industry’s absurdity — from manipulative producers to deranged method actors and the quiet violence of constant rejection — Simon’s journey becomes a darkly comedic, painfully intimate portrait of a man trying to matter in a world built to forget him. “Wonder Man” (season 1) positions itself as a meta‑satirical character study where fame is both the dream and the trap, and the role of a lifetime may cost more than Simon ever imagined. (more…)
