6 episodes
“The Madison” (season 1) — follows the Clyburn family as they abandon their polished New York life and retreat to the wide, unforgiving expanse of Montana’s Madison River valley after a shattering tragedy fractures the foundation of who they were. The move, meant to offer distance and recovery, instead exposes them to a landscape where silence carries its own weight and every unresolved wound echoes louder against the open sky. What initially feels like a chance to reset quickly reveals itself as a confrontation with everything they tried to bury back in the city. And as the valley’s quiet begins to press in on them, each family member discovers that isolation doesn’t heal by default — it amplifies whatever they hoped to escape. Stacy Clyburn struggles to hold her family together while navigating a world far removed from the controlled elegance she once commanded, as her daughters and extended family confront their own versions of grief, guilt, and reinvention. Neighbors, allies, and strangers bring their own histories and tensions, turning the valley into a place where connection is fragile and trust is earned slowly, if at all. “The Madison” (season 1) positions itself as a grounded neo‑Western family drama where healing is neither linear nor gentle, and survival — emotional or otherwise — depends on learning how to live with the land, with each other, and with the truths they tried to outrun. (more…)
8 episodes
“Cross” (season 2) — unfolds as Detective Alex Cross is pulled into a brutal new case when a vigilante begins targeting corrupt billionaire magnates, their crimes buried under wealth, influence, and a justice system too compromised to hold them accountable. The deeper Cross digs, the more the city feels like it’s rotting from the inside out, every lead pointing to a truth no one wants unearthed. Even the people he trusts begin to blur into the shadows, forcing him to question whether justice can survive in a world built to protect the powerful. The season opens with a violent assault on Richard Helvig’s private island, where masked attackers expose his trafficking ring, torch his empire, and vanish with the survivors, setting off a chain of retaliations, political tremors, and moral fractures that ripple through Washington, D.C. As Cross and his partner John Sampson chase the perpetrators, they collide with Luz — a calculating, purpose‑driven avenger whose crusade against powerful abusers forces Cross to confront the thin, shifting line between justice and vengeance. Corporate titans fall, hidden networks unravel, and every clue drags Cross deeper into a labyrinth where the law feels increasingly inadequate against the monsters it’s meant to contain. “Cross” (season 2) positions itself as a tense, morally charged thriller about power, exploitation, and the dangerous seduction of taking justice into one’s own hands. (more…)
10 episodes
“Star Trek: Starfleet Academy” (Season 1) — unfolds in the fractured 32nd century as the Federation struggles to rebuild, throwing its first class of new cadets in over a hundred years onto the USS Athena, a hybrid training vessel where every lesson is interrupted by the chaos of a galaxy still reeling from disaster. Idealistic recruits like Caleb Mir, Genesis Lythe, Darem Reymi, SAM, and Jay‑Den Kraag quickly discover that Starfleet’s legacy is less a beacon and more a burden, forcing them to confront political instability, deep‑space threats, and the emotional wreckage left behind by the Burn. Their training spirals into crisis when Caleb’s attempt to reach his missing mother exposes the Athena to Nus Braka, a ruthless Klingon‑Tellarite pirate whose programmable‑matter assault cripples the ship and turns their education into a fight for survival. As the cadets improvise under fire they realize that courage arrives long before readiness, and that Starfleet’s future will be forged in moments no simulation could prepare them for. “Star Trek: Starfleet Academy” (Season 1) positions itself as a coming‑of‑age space drama where identity, mentorship, and the weight of legacy collide, shaping a new generation of officers in a galaxy still learning how to hope again. (more…)
“Shelter” (2026) — follows former government assassin Michael Mason, living in self‑imposed exile on a remote Scottish island, where the silence, the sea, and his dog are the only remnants of a life he’s been running from for years, until a violent storm leaves a young girl stranded on his shore and forces him back into a world he tried to bury. As Mason shelters her, a single misstep on the mainland exposes his face to the wrong eyes, triggering a relentless pursuit by the agency he once served and the operatives trained to erase men like him. The more he tries to stay hidden, the more he realizes that isolation has made him slower, rustier, and dangerously out of practice. Every encounter on the run forces him to confront the version of himself he hoped had died on that island, a man shaped by violence and sharpened by necessity. What begins as an act of compassion spirals into a desperate flight across rural Scotland, where every safe house becomes a temporary refuge and every stranger a potential threat, pushing Mason to confront the ghosts of his past and the machinery of power that turned him into a weapon. The deeper they run, the more the lines blur between protector and target, between survival and redemption, as Mason realizes the girl’s presence in his life may not be coincidence but the catalyst for a reckoning long overdue. “Shelter” (2026) positions itself as a hard‑edged action thriller where isolation fractures under pressure, violence shadows every choice, and a man built for killing must decide whether he can still be something more. (more…)
10 episodes
“The Night Agent” (season 3) — follows Peter Sutherland as he’s pulled into an international crisis after a young Treasury agent vanishes with highly sensitive government intel, triggering a pursuit that drags him from Washington’s political pressure chambers to the volatile streets of Istanbul. What begins as a fugitive chase quickly unravels into a labyrinth of dark‑money networks, covert intermediaries, and assassins hired to erase anyone who gets too close to the truth, forcing Peter to operate off‑grid and trust no one. As he crosses paths with a relentless investigative journalist whose own leads intersect with his mission, the two find themselves navigating a web of buried secrets, institutional betrayals, and old grudges resurfacing with lethal precision. Every step forward exposes deeper layers of a conspiracy engineered to destabilize the government from within, pushing Peter into a race where every ally may be compromised and every revelation tightens the noose around them both. “The Night Agent” (season 3) positions itself as a tense, high‑velocity conspiracy thriller where loyalty fractures under pressure, danger moves faster than truth, and the cost of uncovering the real architects of the plot may be survival itself. (more…)
“War Machine” (2026) — follows the final recruits of a punishing special‑ops boot camp whose last days of training implode when a hostile force from beyond this world breaches the perimeter, turning their isolated military compound into a sealed arena where discipline fractures under the weight of terror. As the recruits struggle to survive, they realize the threat isn’t just alien but frighteningly adaptive, responding to their tactics with an intelligence that feels deliberate, as if it has been observing them long before the first attack. The deeper they push into the chaos, the more they uncover signs that their training program may have been designed not to prepare them, but to expose them — testing their breaking points, cataloging their reactions, and feeding data into something far larger than any of them imagined. The compound’s blackout, the missing instructors, and the sudden disappearance of communication lines only tighten the sense that they’ve been abandoned inside an experiment disguised as a battlefield. As paranoia spreads and alliances crumble, the recruits must confront the possibility that the enemy hunting them is not only extraterrestrial but intertwined with the very command structure they trusted. “War Machine” (2026) positions itself as a relentless sci‑fi survival thriller where young soldiers face a war engineered in the shadows, and where the line between human resilience and human expendability dissolves under the pressure of an evolving, unknowable predator. (more…)
8 episodes
An adult animated series based on the Skybound/Image comic about a teenager whose father is the most powerful superhero on the planet. (more…)
8 episodes
“Young Sherlock” (season 1) — follows a brilliant but undisciplined 19‑year‑old Sherlock Holmes at Oxford, whose life detonates when he becomes the prime suspect in a campus murder that forces him into his first real investigation, pulling him into a conspiracy stretching far beyond the university’s walls. As he races to clear his name, Sherlock’s raw intellect clashes with his impulsiveness, drawing him into dangerous entanglements with secret societies, political operatives, and a shadowy network whose motives reach from Oxford to war‑scarred Europe. His uneasy alliance with the sharp, unpredictable James Moriarty becomes both a catalyst and a threat, pushing Sherlock toward the instincts that will one day define him while exposing the vulnerabilities he’s desperate to hide. The deeper they descend into the case, the more Sherlock senses that Moriarty’s help comes with a price he hasn’t yet understood. Each revelation forces Sherlock to confront the possibility that the enemy he’s chasing may be shaping him into something he never intended to become. The season escalates through coded messages, hidden family secrets, and a globe‑spanning plot that forces Sherlock to confront the truth about his own lineage and the cost of pursuing answers at any price. “Young Sherlock” (season 1) positions itself as a kinetic mystery‑thriller where genius is still unshaped, danger is intimate, and the world’s greatest detective is forged in the fire of his first case. (more…)
“The Electric State” (2025) — follows a runaway teenager traveling across a collapsing retro‑futuristic America with a loyal yellow robot sent by her missing brother, their journey cutting through abandoned suburbs, militarized zones, and corporate wastelands where malfunctioning drones and derelict machines haunt the landscape like ghosts of a world that broke itself. As she searches for the truth behind her brother’s disappearance, she becomes entangled in a conflict between rogue AIs, private armies, and a government desperate to hide the consequences of its own technological hubris. The deeper she moves into the electric‑scarred frontier, the more the line blurs between memory and manipulation, between the world she remembers and the one being rewritten around her. Each new encounter forces her to question whether the robot guiding her is a protector or a witness to something far darker. Every mile forward feels like stepping deeper into a story someone else has already decided she must play a part in. The film builds its tension through desolate Americana, fractured family ties, and the quiet dread of a society that surrendered its future to machines it no longer understands. “The Electric State” (2025) positions itself as a melancholic sci‑fi odyssey where hope, loss, and rebellion collide against the neon ruins of a dying world. (more…)
“Road House” (2024) — follows Elwood Dalton, a former UFC middleweight fighter spiraling after a traumatic incident in the ring, now drifting through underground bouts and barely holding himself together. When bar owner Frankie offers him a job as head bouncer at her chaotic roadhouse in the Florida Keys, Dalton reluctantly accepts, hoping the isolation will keep his past at bay. The bar is under constant assault from a motorcycle gang working for local crime boss Ben Brandt, whose family wants to seize the property and turn the town into their own empire. Brandt’s pressure campaign escalates from intimidation to outright warfare, dragging Dalton deeper into a conflict he never intended to fight. The violence surrounding the bar exposes the fractures in Dalton’s attempts to rebuild himself, forcing him to confront the rage he’s been trying to suppress. Dalton’s attempts to restore order pull him into escalating violence, from hospital confrontations to ambushes on his rundown houseboat, where he fends off attacks that leave bodies — and even a crocodile — in their wake. As Brandt brings in Knox, a psychopathic enforcer sent to eliminate Dalton, the conflict erupts into a full‑scale war that forces Dalton to confront both the criminals hunting him and the self‑destructive guilt he’s been running from. “Road House” (2024) blends action, dark humor, and character‑driven brutality as Dalton fights to protect the bar, its people, and the fragile sense of purpose he’s only just begun to reclaim. (more…)
