10 episodes
“You Me Her” (season 2) — returns to Jack, Emma, and Izzy after they stop treating their relationship as a temporary experiment and attempt the far more difficult task of building an ordinary life together. Izzy moves into the Trakarskys’ Hawthorne Heights home, forcing the newly official trio to negotiate privacy, jealousy, money, and the uncomfortable feeling that one person can still be left outside a relationship of three. Their decision to reveal the truth at a neighborhood party brings judgment, curiosity, and awkward support from Carmen, Dave, Gabe, and the people who once knew Jack and Emma only as a conventional married couple. Inside the house, tensions sharpen when Emma makes major choices without consulting Jack, while Jack’s interview at Griffin College and a reunion with former flame Ruby tempt him toward a simpler version of the life he might have chosen. Izzy tries to keep the couple from breaking apart even as her changing friendship with Nina reminds her how much she has sacrificed to belong. The arrival of Emma’s conservative parents forces the trio into an increasingly fragile lie, but pretending that Izzy is their surrogate raises real questions about children, commitment, and whether their future can include all three equally. With Emma facing an ambitious offer from Pinnacle and an IVF consultation approaching, “You Me Her” (season 2) becomes a warm, candid romantic comedy-drama about public judgment, domestic compromise, and three people discovering that choosing unconventional love is easier than agreeing on the life it should create. (more…)
4 episodes
“Life, Larry and the Pursuit of Unhappiness: An Almost History of America” (season 1) — turns American history into a seven-part chain of anxious, petty, and absurdly modern misadventures, as a grumbling Larry-like troublemaker wanders through famous national moments and somehow makes each one about bad manners, personal inconvenience, social panic, and his own bruised ego. Framed around the country’s 250th anniversary, the season treats history less like a classroom lesson and more like a series of uncomfortable conversations that go wrong at the worst possible time: the Declaration of Independence becomes a debate over wording and credit, Alexander Graham Bell’s first phone call opens the door to complaints no invention can solve, political hearings collapse into verbal sparring, and even solemn civil-rights and wartime moments are filtered through awkward timing, selfish objections, and escalating misunderstandings. Barack Obama appears as a wry guide to the premise, while guest figures drift through sketches built around presidents, inventors, activists, soldiers, social climbers, and ordinary bystanders trapped beside the most irritating man in the room. The season’s comedy comes from shrinking great events down to human vanity, stubbornness, and bad etiquette, suggesting that America’s grand story has always had room for arguments over seats, rules, tone, and who gets blamed when everything becomes uncomfortable. “Life, Larry and the Pursuit of Unhappiness: An Almost History of America” (season 1) becomes a sharp historical sketch comedy about national myth, ego, inconvenience, and the ridiculous possibility that the past might have been just as neurotic as the present. (more…)
8 episodes
“Ride or Die” (season 1) — throws lifelong best friends Debbie Claybourne and Judith Burton into a European chase after a charity gala exposes the secret Judith has hidden for decades: beneath her cover as a forensic accountant, she is an international assassin. Debbie has built her life around supporting her husband David’s political ambitions and believes she knows the woman who has shared book clubs, private jokes, and every crisis with her, so discovering Judith’s double life feels almost as destabilizing as the violence around them. When Judith’s assignment involving crime boss Billy Donovan goes disastrously wrong and an enemy from her past begins closing in, the two women are forced onto the road with law enforcement, professional killers, and a covert organization tracking every move. Nervous handler Sam and resourceful weapons expert Queenie try to help from the shadows, while Interpol officer Jacques, dangerous operative Ana, and the imposing Director complicate a pursuit built on hidden loyalties and unfinished history. Moving through trains, hotels, gala rooms, safe houses, and foreign cities, Debbie discovers that quick thinking and years of managing other people’s chaos may be survival skills of their own. Yet every escape exposes another lie between the friends, making trust as urgent as staying alive. “Ride or Die” (season 1) becomes a fast, witty action comedy about reinvention, betrayal, female friendship, and two women learning that knowing someone’s secrets is not the same as knowing whether they will stand beside you when everything falls apart. (more…)
7 episodes
“DTF St. Louis” (season 1) — opens in suburban Missouri, where television weatherman Clark Forrest and sign-language interpreter Floyd Smernitch form an unlikely friendship after a chaotic live report brings them together. Both men look settled from the outside, yet each is quietly suffocating inside middle age, marriage, routine, and the fear that the best part of life may be over. Clark introduces Floyd to DTF St. Louis, a discreet hookup app for married adults seeking escape, but what begins as awkward curiosity soon entangles Floyd, Clark, and Floyd’s wife Carol in a triangle built from loneliness, secrecy, desire, and reckless attempts to feel alive. Clark’s wife Eimy and their daughters remain inside the family life he is risking, while Carol balances work, financial strain, her troubled son, and a marriage that no longer resembles the future she expected. When the story shifts toward a suspicious death, veteran detective Donoghue Homer and special-crimes officer Jodie Plumb begin reconstructing the summer through conflicting memories, digital traces, suburban routines, and lies that change meaning depending on who tells them. Moving nonlinearly between friendship, infidelity, investigation, and consequence, the season turns bike rides, backyard games, motel rooms, weather broadcasts, and domestic conversations into pieces of a darkly comic mystery. “DTF St. Louis” (season 1) becomes an unsettling drama about middle-aged desperation, male friendship, betrayal, and the damage caused by people trying to repair unhappy lives with choices they cannot take back. (more…)
10 episodes
“You Me Her” (season 1) — begins with Jack and Emma Trakarsky, a successful suburban couple in Portland whose loving marriage has settled into routine, pressure around having a child, and a growing fear that something essential between them has gone quiet. Acting on reckless advice, Jack meets Izzy Silva, a graduate student working as an escort, but the encounter becomes emotionally complicated before it can remain a private mistake. When Emma discovers what happened, curiosity and jealousy pull her toward Izzy as well, creating an arrangement the three insist is controlled, temporary, and purely practical. Those rules quickly weaken through secret dates, awkward negotiations, unexpected tenderness, and the realization that each person wants something different from the connection. Jack worries about his career and losing Emma, Emma begins questioning the safe identity she has built, and Izzy struggles to protect her independence while hiding how deeply she is becoming attached. Around them, Izzy’s outspoken friend Nina, Emma’s confidante Carmen, Jack’s brother Gabe, and intrusive neighbors make secrecy almost impossible, especially as excuses, lies, and suburban expectations close in. What begins as an attempt to repair one marriage gradually becomes a test of whether love can expand without destroying trust. “You Me Her” (season 1) becomes a witty, intimate romantic comedy-drama about desire, identity, jealousy, and three people discovering that the relationship they never planned may be more honest than the lives they were trying to preserve. (more…)
10 episodes
“Maximum Pleasure Guaranteed” (season 1) — follows Paula Sanders, a newly divorced mother trying to hold together her fractured family, custody battle, and sense of identity when her life takes a sharp turn into a dangerous maze of blackmail, murder, and youth soccer. What begins as a private moment of escape becomes a nightmare after Paula is convinced she has witnessed a crime, only to find that the police are not nearly as alarmed as she is. With her ex-husband Karl Hendricks still tangled in her personal life, her daughter Hazel watching more than Paula realizes, and friends like Mallory orbiting the chaos, Paula starts digging on her own, pulling at clues that lead from online deception and suburban secrets to a conspiracy that seems to know exactly how vulnerable she is. Detectives Sofia Gonzales and Baxter become part of the growing pressure around her, while figures like Trevor, Rudy, and Geri complicate a mystery where everyone appears to be hiding some version of the truth. As Paula’s amateur investigation collides with school fields, digital trails, family arguments, and threats that become increasingly personal, the season turns her midlife unraveling into something darker, funnier, and more dangerous than she expected. “Maximum Pleasure Guaranteed” (season 1) becomes a darkly comedic thriller about panic, reinvention, motherhood, and the terrifying possibility that solving the crime may be the only way Paula can rebuild herself. (more…)
“The Breadwinner” (2026) — centers on Nate Wilcox, a dependable salesman who has always understood his place in the family as the provider, while his wife Katie quietly performs the far more complicated job of keeping their chaotic household running. Everything changes when Katie’s practical home invention earns a life-changing deal on Shark Tank and sends her away on an extended business trip, leaving Nate in charge of their three daughters, Gracie, Hadley, and Sam, for the first time. Certain that parenting can be handled with confidence, shortcuts, and a sensible schedule, he quickly loses control of school mornings, meals, carpools, household repairs, sibling arguments, and the hundreds of invisible tasks Katie made look effortless. As the house begins falling apart in both comic and painfully literal ways, Nate turns to friends, improvised solutions, and increasingly desperate attempts to prove that he does not need rescuing. Yet the girls are not simply problems to manage, and their different needs force him to listen, adapt, and see how much of family life he has taken for granted. Katie, meanwhile, must balance an opportunity she has earned with the guilt of being away and the fear that success will change the family’s familiar rhythm. “The Breadwinner” (2026) becomes a warm family comedy about reversed roles, domestic chaos, and a father discovering that providing for the people he loves means more than bringing home a paycheck. (more…)
“Moana” (2026) — centers on Moana, the strong-willed daughter of Chief Tui and Sina, whose island home of Motunui begins to suffer as crops fail, fish disappear, and an ancient darkness spreads across the ocean. Though her father insists that their people must never sail beyond the reef, Moana has always felt drawn toward the water and the voyaging traditions her community has forgotten. Guided by her grandmother Tala and chosen by the Ocean itself, she sets out on a daring journey to find Maui, the boastful shape-shifting demigod whose theft of the heart of Te Fiti disturbed the balance of nature generations earlier. Maui is more interested in recovering his magical fishhook and protecting his legend than helping an inexperienced wayfinder, but storms, monsters, Kakamora pirates, and the fiery threat of Te Kā force the unlikely pair to depend on each other. With Heihei causing chaos aboard the canoe and memories of Pua and her family keeping home close, Moana must learn to read the stars, command the waves, and trust the voice that has called her beyond everything familiar. The live-action adventure expands the landscapes, music, and cultural spirit of the animated story while keeping its emotional focus on identity, courage, and responsibility. “Moana” (2026) becomes a sweeping oceanic fantasy about restoring a wounded world, honoring ancestral knowledge, and a young leader discovering that the path her people fear may be the one capable of guiding them home. (more…)
6 episodes
“Riot Women” (season 1) — brings together five women in Hebden Bridge who are exhausted by being ignored, underestimated, and expected to keep everyone else’s lives running smoothly. Beth Thornton, a disillusioned teacher struggling with loneliness and a painful distance from her adopted son Tom, is pulled into the idea of forming a band by pub landlady Jess Burchill, whose local talent contest offers an unlikely escape from routine. They are joined by retired police officer Holly Gaskell, her blunt midwife sister Yvonne Vaux, and chaotic shoplifter Kitty Eckersley, whose raw voice and volatile energy give the group the punk spirit it was missing. Rehearsals begin as a mess of borrowed instruments, clashing personalities, forgotten chords, and arguments over what they should sing, but writing their own songs awakens anger about menopause, family demands, ageing parents, failed relationships, workplace cruelty, and the quiet erasure of women in middle age. As Nisha Lal and others enter their orbit, the band becomes more than preparation for one performance: it creates a space where private pain can be shouted, played, and finally heard. Yet the growing bond between Beth and Kitty is complicated by a buried connection that threatens both the music and the fragile trust holding everyone together. “Riot Women” (season 1) becomes a fierce, funny, and deeply emotional drama about friendship, rage, survival, and women discovering that making noise may be the first step toward reclaiming their lives. (more…)
6 episodes
“Here We Go” (season 2) — returns to the Jessop household as life changes faster than any of them can manage, with Sam still filming every argument and humiliating disaster as proof that his family cannot complete even the simplest plan normally. Amy comes back from Norway missing the fjords and trying to decide what comes next, while Maya remains close enough to make love and independence more complicated. Rachel begins a university course and becomes determined to prove she can keep up with classmates half her age, even when student drinking games and her own lack of restraint suggest otherwise. Paul throws himself into police training with the same confidence and confusion he brings to everything, turning neighbourhood problems, anonymous Valentine’s flowers, and attempts to impress real officers into full investigations. Sue moves in and immediately takes command of the street, while Robin and Cherry’s approaching wedding creates proposals, dress shopping, an overambitious joint pre-wedding party, and strange ideas about their future. From Paul’s unreliable old boat and Sue’s chaotic street fair to Rachel’s competitive sister Penny, Sam’s looming exams, Maya’s plans, and one ill-advised tattoo, the season keeps pushing the Jessops toward change while proving they remain incapable of handling it gracefully. “Here We Go” (season 2) becomes another warm, sharply observed British family comedy about embarrassment, reinvention, and the stubborn affection holding everyone together when every celebration and good intention goes wrong. (more…)
