6 episodes
“Warren’s Vortex” (season 1) — unfolds as Lower Hutt dad Warren Harrison, who has spent twenty years casually tossing garden rubbish into the interdimensional vortex hidden in his shed, is thrust into chaos when his 18‑year‑old daughter Lucy is suddenly sucked inside, forcing him to leap after her and hurling them through a chain of bizarre future realities where intelligent refrigerators rule, backyard competitions become deadly, laser‑eyed real‑estate robots stalk empty cities, mobile‑game zombies overrun their street, and a 1930s murder‑mystery time loop resets with every wrong guess. In the split second before he jumps, Warren realizes he has no idea what kind of father he’ll need to become to get her back. And once inside, the vortex seems almost alive, twisting each world to test them in ways neither is prepared for. As they crash through each twisted timeline — encountering alternate versions of neighbors, friends, and enemies — Warren’s frantic attempts to protect Lucy collide with the absurdity of worlds that obey no logic but their own, turning their journey into a chaotic, heartfelt scramble for survival. “Warren’s Vortex” (season 1) positions itself as a fast‑moving, surreal sci‑fi comedy where family bonds are tested across dimensions, reality bends into nonsense, and an ordinary dad must improvise his way through universes that seem determined to break him. (more…)
6 episodes
“Free Bert” (season 1) — unfolds as comedian Bert Kreischer, playing a heightened version of himself, stumbles into a mid‑life reckoning after a humiliating moment at Rob Lowe’s birthday party forces him to confront the truth that the world sees him only as the shirtless, chaotic party‑guy he built his career on, pushing him to overcorrect by barging into the lives of his wife LeeAnn and daughters Georgia and Ila with a desperate, clumsy determination to finally be a present father. His attempts to help Georgia fit into the elite Barklidge private school spiral into disaster — from a well‑intentioned but mortifying podcast story that goes viral to confrontations with the powerful Vanderthal family — each misstep exposing how badly he wants to be better and how easily he makes everything worse. As Bert ricochets between stand‑up meltdowns, school politics, and his own insecurities, the season tightens around the tension between the persona he performs and the man he’s terrified he might actually be, culminating in a choice between fitting into Beverly Hills expectations or embracing the messy, earnest version of himself his family has been waiting for. “Free Bert” (season 1) positions itself as a chaotic, self‑aware comedy about a man trying to rewrite his story before his daughters grow up without him — and discovering that the hardest part of changing your life is getting out of your own way. (more…)
“Hard Truths” (2025) — unfolds as Pansy Deacon, a depressed, anxious, sharp‑tongued London woman whose world has shrunk to the suffocating walls of her tidy home, spirals through days filled with petty fights, misdirected rage, and a gnawing fear that her own family secretly despises her, while her jovial sister Chantelle tries to pull her toward healing as the fifth anniversary of their mother’s death approaches, forcing Pansy into a reckoning she has avoided for years. Her simmering resentment toward her husband Curtley and her unmotivated adult son Moses curdles into constant conflict, each encounter exposing the fractures in a life defined by bitterness and unspoken grief, until a tense visit to their mother’s grave cracks open the truth she has buried: her belief that she was unloved, overlooked, and pushed into a role she never chose. As Chantelle challenges her narrative and offers a rare moment of tenderness, Pansy’s emotional armor falters, revealing a woman terrified of being hated yet unable to stop lashing out, her silence at the family gathering that follows becoming its own quiet confession. “Hard Truths” (2025) positions itself as a raw, intimate character study where anger masks heartbreak, family becomes both wound and refuge, and a woman on the brink must confront the painful possibility that the life she resents is the only one still trying to hold her together. (more…)
8 episodes
“Extraordinary” (season 2) — unfolds as Jen, desperate to finally unlock a power in a world where everyone else already has one, throws herself into the sterile optimism of a power‑clinic program, only to discover that the path to self‑actualization is messier, slower, and far more humiliating than she imagined, especially as her life outside the clinic collapses into fresh chaos. Jizzlord’s sudden reunion with the wife and child he never remembered detonates Jen’s fragile sense of stability, dragging her into a spiraling feud with Nora while Jizzlord flails between the life he built with Jen and the family he abandoned without knowing. Meanwhile Carrie and Kash attempt a “mature” breakup that instantly curdles into awkward cohabitation, emotional whiplash, and a series of catastrophically bad decisions that expose how unprepared they are to live apart. Each episode tightens the emotional vise: Kash sinks into creative burnout, Jen’s therapy sessions peel back layers she’d rather keep buried, and every attempt at adulthood only magnifies how none of them are remotely ready for it. “Extraordinary” (season 2) positions itself as a sharper, more chaotic, more painfully honest evolution of the series, where powers are the least complicated part of growing up, and the real battle is surviving yourself. (more…)
8 episodes
“Extraordinary” (season 1) — unfolds as 25‑year‑old Jen, the only adult in a world where everyone gains a superpower at 18, stumbles through life with the raw, humiliating weight of being painfully ordinary, clinging to sarcasm and denial while her powered friends drift ahead of her. Carrie channels the dead with unnerving ease, Kash rewinds time in pursuit of vigilante glory, and even the stray cat Jen adopts turns out to be a shapeshifter named Jizzlord, whose lost memories and awkward humanity mirror her own sense of being stuck between who she is and who she’s supposed to be. As Jen ricochets between disastrous dates, failed attempts to trigger a power through stress, and the slow implosion of her friendships, she’s forced to confront the truth she’s been avoiding: her bitterness is pushing everyone away, and her fear of being powerless is becoming the very thing that defines her. Each misadventure — from revisiting school trauma to watching her sister celebrate her new super‑strength — tightens the emotional vise around her, until Jizzlord’s unexpected loyalty and Carrie’s breaking point force Jen to reckon with the possibility that her worth isn’t tied to a power she may never get. “Extraordinary” (season 1) positions itself as a sharp, chaotic, painfully honest coming‑of‑age comedy where the real superpower is surviving your twenties when everyone else seems to have their life — and their abilities — figured out. (more…)
“The Wrecking Crew” (2026) — unfolds as estranged half‑brothers Jonny Hale, a reckless Oklahoma cop drowning in guilt, and James Hale, a disciplined Navy SEAL hardened by distance and duty, are dragged back into each other’s orbit when their father Walter dies in a supposed hit‑and‑run that reeks of orchestration, pulling them into a violent spiral of Yakuza enforcers, corrupt developers, and family secrets sharpened into weapons. Their uneasy reunion in Honolulu turns explosive as they tear through Walter’s ransacked apartment, uncovering casino blueprints, double‑deals, and a feud between power broker Marcus Robichaux and his wife Monica — each secretly hiring Walter to investigate the other — revealing a conspiracy that stretches from political offices to criminal dens. Attacks from Nakamura’s Yakuza faction escalate, the governor applies pressure, and every lead drags the brothers deeper into a war over Hawaiian land targeted for an illegal casino, all while their unresolved resentment erupts: Jonny haunted by his mother’s unsolved murder, James confessing he pushed him away to shield him from the Syndicate’s reach. The brothers are forced to rely on the bond they spent years destroying, crashing through gunfights, betrayals, and buried truths to uncover what their father died trying to expose. “The Wrecking Crew” (2026) positions itself as a bruised, relentless brotherhood thriller where blood ties cut deeper than bullets and justice demands breaking everything in the way. (more…)
8 episodes
“Wonder Man” (season 1) — unfolds as Simon Williams, a washed‑up Hollywood hopeful whose career has stalled before it ever truly began, stumbles into a last‑chance opportunity when eccentric director Von Kovak announces a remake of the cult superhero film Wonder Man, pulling Simon into a chaotic collision of ego, desperation, and the surreal underbelly of the entertainment industry. His uneasy alliance with Trevor Slattery — a once‑famous, now‑pathetic actor clinging to the scraps of his former notoriety — becomes both a lifeline and a curse as the two chase the same role, navigating a world where auditions feel like battlegrounds, every smile hides a threat, and the line between performance and identity dissolves under the pressure of ambition. As Simon’s personal life fractures and his brother Eric’s shadow looms over him, the pursuit of stardom mutates into a psychological crucible that forces him to confront the parts of himself he’s spent years avoiding, even as Hollywood’s machinery chews through his confidence, his relationships, and his sense of reality. With each episode peeling back another layer of the industry’s absurdity — from manipulative producers to deranged method actors and the quiet violence of constant rejection — Simon’s journey becomes a darkly comedic, painfully intimate portrait of a man trying to matter in a world built to forget him. “Wonder Man” (season 1) positions itself as a meta‑satirical character study where fame is both the dream and the trap, and the role of a lifetime may cost more than Simon ever imagined. (more…)
14 episodes
“The Secret of Skinwalker Ranch” (season 6) — unfolds as the Fugall team returns to the ranch in 2025 and immediately confronts a new, disturbingly stable phenomenon: a massive invisible “Bubble” hanging over the property and reacting to every attempt to study it, turning each investigation into a dangerous experiment balanced between scientific breakthrough and paranormal threat; rocket launches, swarms of drones, laser grids, drilling into the Mesa, and high‑temperature tests only intensify the anomalies, triggering radiation spikes, equipment failures, UAP manifestations, and mysterious material fragments that laboratory analyses describe as “not of this world,” while the team faces unsettling coincidences as data disappears, devices behave as if hacked, and the unseen structure inside the Mesa responds as though it is watching their every move, forcing the researchers to walk a razor’s edge between methodical science and fear of what might be buried beneath. As the experiments grow bolder and the results more dangerous, the team begins to question whether they should continue at all, since each new discovery brings not clarity but deeper, more disturbing questions about the nature of the anomaly and its possible origin. “The Secret of Skinwalker Ranch” (season 6) positions itself as the most intense, data‑driven, and unsettling chapter yet, where scientific curiosity collides with something that does not want to be uncovered. (more…)
“Y2K” (2024) — unfolds as Eli, a socially invisible high‑school outcast nursing an unspoken crush on Laura, drifts into New Year’s Eve 1999 expecting nothing more than another night of awkward parties and small humiliations, only to watch the world detonate into chaos when the Y2K bug becomes real and every piece of technology — from microwaves to toy cars — turns sentient and homicidal. What begins as a pathetic attempt to crash a popular kid’s party spirals into a blood‑soaked scramble for survival as Eli, his best friend Danny, and Laura flee through a town collapsing under the assault of possessed appliances, rogue electronics, and a collective digital consciousness determined to wipe out humanity. Their fragile trio fractures under fear, grief, and the sudden brutality of a night that strips away teenage fantasies and forces them into choices far beyond their years, each loss reshaping Eli’s understanding of courage, loyalty, and the terrifying thinness of the line between adolescence and oblivion. As they join a mismatched group of delinquents and misfits, alliances shift, trust erodes, and the absurdity of the apocalypse becomes a crucible that exposes who they are when the world stops pretending to be safe. “Y2K” (2024) positions itself as a chaotic, darkly comedic survival tale where coming‑of‑age collides with end‑of‑the‑world absurdity, and the last night of the century becomes a brutal initiation into adulthood. (more…)
“Pillion” (2025) — unfolds as Colin, a timid, introverted young man living with his parents and caring for his terminally ill mother, is abruptly pulled into the orbit of Ray, an impossibly handsome, enigmatic biker whose wordless dominance on their first encounter sparks a dynamic that reshapes Colin’s entire sense of self. Their relationship evolves into a strict, rule‑bound BDSM arrangement in which Colin cooks, cleans, sleeps on the floor, and obeys every command, finding both terror and unexpected fulfillment in the intensity of Ray’s control. As Ray draws him into the biker gang, Colin shaves his head, joins their rides, and becomes a quiet subordinate presence within the group, even as his parents grow increasingly alarmed by how little he knows about the man he’s surrendered himself to. The fragile balance fractures when Ray’s refusal to acknowledge Colin’s birthday leads to a confrontation with Colin’s mother, whose protective instincts clash violently with Ray’s cold authority, exposing the emotional fault lines beneath their arrangement. Through heartbreak, rejection, and the slow erosion of his old identity, Colin’s journey becomes one of painful self‑awakening, as the relationship that once felt like liberation forces him to confront what he truly wants and what he can no longer endure. “Pillion” (2025) positions itself as a darkly tender, boundary‑breaking romantic drama where desire, power, and self‑discovery collide in ways that are as unsettling as they are transformative. (more…)
