“The Mortuary Assistant” (2026) — follows Rebecca Owens, a mortuary science graduate with a troubled past who takes a night shift at River Fields Mortuary, expecting routine embalming work but instead finding herself trapped in a suffocating spiral of hallucinations, demonic manipulation, and resurfacing trauma. As she begins preparing bodies, strange instructions, impossible shadows, and fractured visions of her past addiction and guilt bleed into the sterile corridors, blurring the line between the mortuary’s cold reality and the demon’s psychological assault. The deeper the night goes, the more Rebecca realizes she isn’t simply witnessing supernatural events — she’s being targeted, tested, and pushed toward a reckoning with the darkness she’s spent years trying to outrun. With her mentor Raymond offering cryptic guidance and the mortuary itself twisting into a maze of memories, manifestations, and malevolent intent, Rebecca must identify which corpse is possessed before the entity fully consumes her. “The Mortuary Assistant” (2026) becomes a claustrophobic, emotionally charged supernatural horror story where addiction, grief, and demonic influence intertwine, forcing Rebecca to confront both literal and metaphorical demons in a night that refuses to end. More …
10 episodes
“Crime in Progress” (season 1) — unfolds as real American investigations detonate in front of the viewer entirely through unfiltered police body‑cam, dash‑cam, and surveillance footage, beginning with a New Mexico traffic stop that collapses into chaos when an officer’s radio goes dead and a routine encounter mutates into a manhunt, then shifting to a multi‑state fugitive chase triggered by multiple bodies discovered inside a home, before plunging into Savannah’s nightmare as a young mother is shot and her newborn twins are abducted, and finally spiraling into a Georgia disappearance that unravels into a bloody discovery and a desperate pursuit. As the footage rolls without commentary, the tension builds with a documentary purity that leaves no room to look away. Every second becomes a reminder that real danger doesn’t wait for explanations — it simply erupts. With no narration, no reenactments, and no commentary to soften the edges, each case unfolds in real time as officers navigate panic, uncertainty, and split‑second decisions that can save lives or end them, turning the season into a raw, immersive descent into the frontline reality of modern policing. “Crime in Progress” (season 1) positions itself as a tense, visceral true‑crime chronicle where every frame is evidence and every moment is a reminder of how quickly an ordinary day can collapse into danger. More …
4 episodes
“The Teacher” (season 3) — follows Helen, a respected but increasingly unstable 50‑year‑old drama teacher at an elite private school whose career begins to collapse after she misgenders student Dee and insists on teaching Shakespeare instead of contemporary progressive texts, igniting a fierce ideological clash with the relentless and hyper‑principled student Cressida. As tensions escalate and the school community fractures around competing narratives, Cressida seizes the moment to turn the situation into a crusade, launching a campaign of pressure, exposure, and public shaming that spreads through social media, school politics, and the wider community with devastating speed. As the narrative around Helen hardens into a simplified villain arc, opportunistic parents and staff begin using the scandal to advance their own agendas, turning the school into a battleground of competing moral performances. And every attempt Helen makes to clarify her intentions is twisted into further proof of guilt, feeding a machine that no longer cares about nuance or truth. As the scandal spirals beyond the classroom and begins tearing apart Helen’s family, reputation, and sense of self, she is dragged into a generational war where every word is scrutinized, every motive questioned, and every attempt to defend herself becomes ammunition for her enemies. “The Teacher” (season 3) becomes a sharp, unsettling modern drama about how a single moment — stripped of nuance and context — can destroy a life in a world where perception outweighs truth. More …
8 episodes
“Paradise” (season 2) — follows Secret Service agent Xavier Collins and the insulated community of Paradise as the fallout from President Bradford’s assassination fractures the illusion of safety that once defined their bunker‑like town. While Sinatra struggles to impose a new order and contain the truth about the president’s death, the residents face rising paranoia, shifting loyalties, and the creeping realization that their sanctuary was built on layers of manipulation. As Xavier and Annie push beyond Paradise’s borders toward Atlanta, they encounter a changed, unstable world that challenges everything they believed about the catastrophe and exposes the broader conspiracy shaping their lives. Inside the community, Jane Driscoll and the remaining residents navigate a tightening atmosphere of surveillance and distrust, where every conversation, alliance, and secret becomes a potential threat. The season builds its tension through converging timelines, political intrigue, and the slow unmasking of the forces orchestrating Paradise’s creation, turning the town’s carefully curated calm into a battleground of truth and control. “Paradise” (season 2) positions itself as a political sci‑fi thriller where power, identity, and survival collide, and where every revelation pushes the characters closer to understanding who is truly pulling the strings — and what Paradise was ever meant to be. More …
8 episodes
“Death in Paradise” (Season 15) — follows DI Mervin Wilson as he remains on Saint Marie despite months of threatening to leave, pulled back not by duty but by the shock of discovering he has a brother he never knew existed, Solomon Clarke, a revelation that cracks open the emotional armor he has worn since arriving on the island and forces him to confront a past he has spent years avoiding. While Mervin struggles with the implications of this new family tie, the police force faces its own upheaval: Selwyn Patterson, no longer Commissioner and now simply Selwyn, has stepped away from the job entirely, leaving a power vacuum that reshapes the island’s political and investigative landscape just as a fresh wave of murders begins to test the team’s cohesion. As Naomi, Darlene, and newcomer Sebastian navigate shifting responsibilities and the uncertainty of new leadership, Mervin is pushed into cases that intertwine with his personal turmoil, each crime reflecting the same themes of identity, legacy, and buried secrets that now haunt him. The season builds its tension around Mervin’s reluctant transformation — a man who wanted nothing more than to escape Saint Marie now finds himself bound to it by blood, responsibility, and the uncomfortable realization that the island may be the only place capable of forcing him to grow. “Death in Paradise” (Season 15) positions itself as a sun‑drenched mystery cycle where family revelations collide with island intrigue, and where every case pushes Mervin closer to understanding the life he never meant to build. More …
6 episodes
“Deadloch” (season 2) — relocates Dulcie Collins and Eddie Redcliffe from icy Tasmania to the sweltering Northern Territory, where they arrive in the fictional town of Barra Creek to investigate the death of Eddie’s former policing partner, Bushy, only to discover that his supposed suicide masks a far more tangled and dangerous conspiracy. As the pair wade into a landscape of crocodile‑infested waterways, missing tourists, and a community simmering with suspicion, they’re pulled into the murder of a local icon whose severed hand turns up inside a dead crocodile, setting off a chain of revelations that expose corruption, illegal safari operations, and a network of powerful men desperate to protect their secrets. The deeper they push into Barra Creek’s underbelly, the more it becomes clear that the town’s smiling façade hides a hierarchy built on fear, favors, and decades of unspoken violence. The investigation pushes Dulcie and Eddie to confront Eddie’s past in Barra Creek, the town’s festering resentments, and the escalating violence that threatens to swallow them whole as every clue drags them deeper into a world where greed, cover‑ups, and predation thrive in the shadows. “Deadloch” (season 2) becomes a hotter, wilder, more chaotic crime mystery, where the humour is as sharp as the danger, and where justice must fight its way through sweat, mud, and crocodile jaws. More …
8 episodes
“Deadloch” (season 1) — begins when the seemingly tranquil Tasmanian coastal town of Deadloch is shaken by the discovery of a man’s body on the beach, pulling the meticulous Senior Sergeant Dulcie Collins into an uneasy partnership with chaotic, foul‑mouthed Detective Eddie Redcliffe, whose Darwin‑bred instincts clash with every rule Dulcie lives by. As more bodies appear and the annual Winter Feastival descends into panic, the investigation forces the pair to navigate a community full of buried resentments, queer subcultures, political tensions, and decades‑old secrets that the locals would rather keep submerged. Tensions spike as the town’s power brokers begin interfering with the investigation, desperate to protect reputations that have propped up Deadloch’s fragile image for years. And every misstep between Dulcie and Eddie threatens to fracture their uneasy alliance, turning the hunt for a killer into a test of trust neither woman expected to face. Their hunt for a killer becomes a spiraling maze of red herrings, departmental incompetence, and personal entanglements, pushing Dulcie and Eddie to confront not only the town’s rot but their own blind spots as the truth grows darker and more intimate than either expected. “Deadloch” (season 1) emerges as a sharp, black‑comic crime mystery where every revelation fractures the town a little more, and where justice comes wrapped in chaos, grief, and unexpected solidarity. More …
6 episodes
“Shetland” (season 10) — sends DI Ruth Calder and DI Alison “Tosh” McIntosh into the remote hamlet of Lunniswick after the body of elderly social worker Eadie Tulloch is found lying exposed to the brutal island elements for days, a discovery that immediately hints at a crime shaped by time, secrecy, and long‑buried grudges. As Calder and Tosh begin peeling back the layers of Eadie’s past, they find themselves navigating a tight‑lipped community where every family carries its own history of betrayals, debts, and unspoken alliances, and where the truth is guarded as fiercely as the land itself. Rumors of Eadie’s involvement in a decades‑old dispute begin to surface, suggesting that her death may be tied to wounds the island never allowed to heal. And every interview the detectives conduct only deepens the sense that someone in Lunniswick is manipulating the narrative, determined to keep the past buried at any cost. The investigation drags them through corruption, generational wounds, and the kind of moral rot that thrives in isolation, forcing both detectives to confront not only the killer’s motives but the fractures within the community that allowed such darkness to take root. “Shetland” (season 10) becomes a windswept, slow‑burn crime drama where the landscape is as unforgiving as the secrets it hides, and where justice threatens to tear apart what little unity the island still clings to. More …
1 episodes
“Power: The Downfall of Huw Edwards” (season 1) — unfolds as a stark, fact‑driven psychological drama tracing the collapse of one of Britain’s most trusted news anchors, revealing how a man once seen as the face of national stability lived a hidden life built on manipulation, secrecy, and predation. The story follows Edwards’ grooming of a vulnerable 17‑year‑old over months, exposing the imbalance of power, the emotional coercion, and the double life he maintained while delivering the nation’s most solemn broadcasts. As journalists and insiders begin to question long‑ignored red flags, the narrative widens into a chilling portrait of how prestige can shield misconduct for years. And every new revelation forces institutions to confront the uncomfortable truth that their silence played a role in enabling the abuse. As the young man’s family pushes back and the truth begins to surface, the drama shifts into a forensic examination of institutional blindness, media complicity, and the quiet devastation inflicted on the victim known as “Ryan,” whose perspective reframes the scandal beyond headlines and criminal charges. “Power: The Downfall of Huw Edwards” (season 1) becomes an unflinching portrait of influence turned toxic, charting the unraveling of a public figure whose downfall was as shocking as the trust he once commanded. More …
“Lisa Frankenstein” (2024) is a unique blend of comedy, horror, and romance, directed by Zelda Williams and written by Diablo Cody. The film revolves around Lisa, a misunderstood teenage goth girl, navigating her high school life. Her world turns upside down when she accidentally reanimates Cole, a Victorian-era corpse, during a freak lightning storm. As Lisa and Cole develop an unlikely romantic bond, the story delves into the peculiar challenges they face. Cole’s reanimation is far from perfect, leaving him with an incomplete body and a struggle to adapt to the modern world. Lisa, determined to keep her love a secret, must find creative ways to hide Cole from her friends and family, all while dealing with typical teenage issues. Set against the backdrop of a small, eerie town, the film explores themes of acceptance, identity, and the lengths one goes to for love. The quirky narrative includes dark humor and heartwarming moments, showcasing the characters’ growth as they navigate their unconventional relationship. “Lisa Frankenstein” is also set in the same fictional universe as Diablo Cody’s “Jennifer’s Body,” adding a layer of connection for fans. The film promises to be a spooky yet endearing tale that challenges traditional romantic tropes, making it a standout in the genre. More …
