12 episodes
“Going Dutch” (Season 2) — follows Colonel Patrick Quinn as he continues serving his “punishment posting” at the Stroopsdorf base in the Netherlands, a place with no tactical purpose but an absurd abundance of comforts — a Michelin‑star commissary, a bowling alley, and even the Army’s only fromagerie. Still determined to impose discipline on a unit of quirky underachievers, Quinn finds himself repeatedly undermined by the base’s former interim commander, his estranged daughter Maggie, whose leadership style clashes with his at every turn. The season expands the ensemble’s chaos with new dynamics, including the arrival of General Martin — a high‑ranking, confident NATO combat general whose presence complicates both Maggie’s ambitions and Quinn’s attempts to maintain authority, especially when unexpected sparks fly between the general and Quinn. With returning characters deepening their comedic rhythms and new guest stars adding fresh friction, Season 2 leans into workplace absurdity, family tension, and the culture‑clash humor of an American unit trying (and failing) to take itself seriously on the most comfortable base in Europe. “Going Dutch” (Season 2) positions itself as a character‑driven military comedy where ego, family, and bureaucracy collide in the least warlike outpost imaginable. More …
12 episodes
“Animal Control” (Season 4) — follows Frank Shaw and the rest of the Seattle Animal Control team as they face a new year of unpredictable calls, bureaucratic headaches, and personal upheavals that test both their patience and their ability to function as a unit, beginning when a series of unusual animal‑related incidents exposes gaps in the department’s funding and forces them to operate with fewer resources than ever. As Frank attempts to maintain order despite his growing frustration with management, he finds himself reluctantly mentoring new recruits whose enthusiasm clashes with his cynical worldview, while long‑time colleagues navigate shifting responsibilities, workplace rivalries, and the emotional toll of dealing with distressed animals and distressed citizens in equal measure. The season interweaves comedic field calls — from escaped exotic pets to neighborhood disputes spiraling out of control — with the team’s evolving relationships, highlighting how their shared experiences create a dysfunctional but dependable support system. Meanwhile, a citywide initiative to modernize public services threatens to privatize parts of Animal Control, pushing the team to prove their value even as they struggle with internal miscommunications and personal challenges that spill into their work. Themes of resilience, workplace identity, community responsibility, and the quiet dignity of unglamorous public service shape the narrative, while the story builds toward a departmental evaluation that forces Frank and his colleagues to confront what the job means to them and whether they can adapt to a system that seems determined to change without their input. “Animal Control” (Season 4) positions itself as a grounded, character‑driven continuation that blends humor with everyday chaos, reaffirming the team’s messy but heartfelt commitment to the animals — and people — who rely on them. More …
“Project Hail Mary” (2026) — follows Ryland Grace, a middle‑school science teacher who awakens alone on an interstellar spacecraft with no memory of who he is or why he’s drifting light‑years from Earth, only to discover that he is the sole survivor of a desperate mission to stop a mysterious alien microorganism from draining the Sun’s energy and triggering planetary extinction. As fragments of his past return, Grace uncovers the scale of the crisis and the scientific puzzle at its core, forcing him to rely on ingenuity, isolation‑honed resilience, and an unexpected ally whose existence reshapes everything he thought he understood about survival. As the ship’s systems reveal clues he doesn’t remember programming, Grace begins to suspect that the mission was built on sacrifices far greater than he ever agreed to. And with each recovered memory, the line between duty and desperation blurs, pushing him toward choices that could redefine humanity’s place in the cosmos. The film tracks his race against cosmic deadlines as he navigates impossible physics, moral dilemmas, and the crushing weight of being humanity’s last hope. “Project Hail Mary” (2026) becomes an expansive, emotionally charged sci‑fi odyssey about sacrifice, discovery, and the fragile brilliance of connection across the void. More …
7 episodes
“Wild Rose” (season 1) — follows Rose, a charming hitman raised inside a family of assassins who operate a nonprofit as a front, whose life fractures when his wife and daughter mysteriously vanish, forcing him to question everything he thought he understood about loyalty, identity, and the organization that shaped him. As Rose takes on a high‑profile assignment protecting superstar singer Somaya, he’s pulled deeper into a maze of family tensions, criminal politics, and buried truths that threaten to expose the rot beneath Civil’s polished façade. As the pressure mounts, Rose begins to sense that every ally carries a hidden agenda, and every gesture of help may be a calculated trap. And the closer he gets to the truth, the more he realizes that the disappearance of his family is tied to forces far more personal — and far more dangerous — than he ever imagined. The season tracks Rose’s increasingly dangerous search for answers — from tense confrontations with his brother Chase to unraveling the motives of powerful figures who may know more than they admit — while Somaya’s own battles with harassment and industry manipulation intertwine with his unraveling world. “Wild Rose” (season 1) becomes a sleek, character‑driven crime thriller about fractured loyalties, hidden agendas, and the cost of discovering that the people you trust most may be the ones who built your cage. More …
8 episodes
“Invincible” (season 4) — picks up with a darker, guilt‑driven Mark Grayson pushing himself past exhaustion as he and Atom Eve run Invincible Inc., trying to repair a world still reeling from Conquest’s near‑apocalyptic assault and the devastation left by the Viltrumites, while Cecil monitors him closely as Mark’s trauma makes him increasingly willing to use lethal force. His controversial killing of Rus — a civilian overtaken by Sequids moments before a non‑lethal solution arrived — becomes the season’s moral fracture line, exposing how unstable Mark has become and how thin the boundary is between heroism and fear. As the Viltrumite War erupts across planets, Nolan’s past, the empire’s collapse from the Scourge Virus, and Thragg’s rise converge into a conflict that drags Mark from Earth into deep‑space battles that threaten humanity’s survival. Meanwhile, the Guardians struggle to rebuild, the Sequids resurface, and Mark’s relationships — with Eve, Oliver, and even Omni‑Man — strain under the weight of cosmic warfare and personal guilt. “Invincible” (season 4) becomes the show’s most brutal, expansive chapter yet, where every choice pushes Mark closer to becoming either the protector Earth needs or the threat it fears. More …
“Heart Eyes” (2025) — follows Ally McCabe, a sharp but unlucky‑in‑love marketer whose awkward run‑in with charming consultant Jay Simmons spirals into a nightmare when a masked serial killer known as the Heart Eyes Killer mistakes them for a couple and marks them as his next Valentine’s Day targets. As Seattle becomes the latest city shaken by his ritualistic attacks on lovers, Ally and Jay are thrust into a frantic cat‑and‑mouse chase that forces them to confront both the killer’s twisted mythology and their own unresolved fears about intimacy. As the city’s Valentine’s festivities turn into a backdrop of panic, the killer’s pattern grows more theatrical, blurring the line between romance and ritual. And with each close call, Ally and Jay find themselves pulled into a reluctant partnership that feels as dangerous as the threat hunting them. The film tracks their desperate attempts to survive a night where every romantic gesture becomes a potential trap, every shadow hides a threat, and every assumption about each other is tested under the pressure of terror. “Heart Eyes” (2025) becomes a slick, darkly playful slasher‑romcom hybrid about connection, danger, and the thin line between chemistry and catastrophe. More …
13 episodes
“Krapopolis” (Season 3) continues its mythological satire in a chaotic ancient city run by humans, gods, and monsters. Tyrannis, the demigod king, launches what’s billed as the world’s first democratic elections in the premiere episode “Krapocracy Now!”, triggering divine backlash as Deliria stirs unrest among the gods. A rogue oracle begins broadcasting prophecies via enchanted amphorae, sowing confusion and cult-like devotion among the citizens. Meanwhile, Hippocampus invents a primitive version of social media, leading to a citywide obsession with status updates and divine selfies. Shlub embarks on a bizarre quest for “forbidden boba,” rallying an army in the process, while Tyrannis prepares for a demigod ceremony that spirals into civic disaster. The season leans into themes of leadership, identity, and dysfunctional family dynamics, with characters thrust into public-facing roles amid absurd bureaucratic challenges. Episodes like “Bobageddon” blend local ceremonies with personal chaos, keeping the show’s irreverent tone and immersive style. With returning voice cast, “Krapopolis” (Season 3) expands its animated world of divine temperaments and civic misfires, proving that even in ancient times, politics and family don’t mix easily. More …
6 episodes
“Savage Beauty” (season 1) — follows Zinhle Manzini, a young woman who infiltrates the powerful Bhengu family’s global beauty empire under the guise of becoming the new face of their brand, while secretly plotting revenge for the horrific skin‑lightening experiments they conducted on her and other children fifteen years earlier. As she embeds herself deeper into their opulent world, Zinhle begins exposing fractures within the dynasty — from Don Bhengu’s ruthless ambition to Grace’s iron‑fisted control and the siblings’ tangled rivalries — turning their carefully curated image into a battlefield of buried guilt and festering secrets. As the Bhengus tighten their grip on the narrative, Zinhle discovers that the family’s influence stretches far beyond the beauty industry, shaping political alliances and cultural ideals in ways she never anticipated. And the closer she gets to the truth, the more she realizes that dismantling their empire will require confronting not only their sins, but the parts of herself shaped by them. The season tracks her calculated sabotage as she balances public adoration with private vendetta, forcing the Bhengus to confront the legacy of exploitation that built their empire. “Savage Beauty” (season 1) becomes a sleek, high‑stakes revenge thriller about power, image, and the cost of unearthing the truth in a world built on beauty and lies. More …
8 episodes
“Something Very Bad Is Going to Happen” (season 1) — follows engaged couple Rachel and Nicky as they arrive at his family’s secluded home for the week leading up to their wedding, only to find themselves pulled into a tightening web of generational secrets, festering resentments, and an ominous sense that something is fundamentally wrong beneath the polite rituals of celebration. As strange incidents escalate — from unsettling family behavior to whispers of a possible killer and hints of a long‑buried curse — the couple’s confidence in each other erodes under the weight of dread they can’t quite name. As the atmosphere thickens with unspoken tension, even the smallest gestures begin to feel like coded warnings from people who refuse to say what they truly fear. The season tracks their unraveling attempts to maintain normalcy amid mounting signs that the past is bleeding into the present, turning every tradition, every vow, and every family smile into a potential warning. “Something Very Bad Is Going to Happen” (season 1) becomes a slow, skin‑crawling descent into pre‑wedding terror, where love, commitment, and fear collide in a house that seems determined to expose the truth before anyone reaches the altar. More …
8 episodes
“Beef” (season 2) — follows two couples whose lives implode after a young engaged pair, Ashley Miller and Austin Davis, witness a vicious argument between their millennial boss, country‑club general manager Joshua Martín, and his wife Lindsay Crane‑Martín, setting off a chain of favors, coercion, and passive‑aggressive power plays that ripple far beyond the pristine Montecito club where they work. As the couples maneuver for approval from the club’s billionaire owner, Chairwoman Park, and navigate their own generational divides, the incident metastasizes into a web of manipulation, class tension, and quietly escalating resentment. As loyalties shift and private insecurities surface, each couple begins to weaponize their vulnerabilities in ways that blur the line between self‑protection and sabotage. And the more they try to contain the fallout, the more their carefully curated lives unravel under the pressure of unspoken envy and festering humiliation. The season tracks how a single moment of exposed rage fractures marriages, ambitions, and identities, pulling everyone into a tightening spiral of leverage and emotional fallout. “Beef” (season 2) becomes a sharp, darkly funny, slow‑burning study of status, repression, and the private humiliations people will endure — and inflict — to keep their lives from collapsing in public. More …
