6 episodes
“The Marlow Murder Club” (season 3) — thrusts Judith, Suzie and Becks into their most dangerous cases yet, as three new investigations expose the core of hidden conflicts in quiet Marlow: the sudden death of the mayor, the killing of a celebrity chef at his own book event, and a murder at a university reunion where Becks becomes the prime suspect. As the town sinks into panic and the police restrict access to information, the trio is forced to operate on the edge — balancing official barriers, internal doubts, and the growing pressure to prove their friend’s innocence. And the deeper they dig, the clearer it becomes that every new clue is tied to long‑buried secrets the residents of Marlow would rather keep forgotten. And attempts to hide the past only accelerate the chain of events, turning the investigation into a race against people willing to do anything to protect their reputations. Their methods grow bolder, the investigations sharper, and each lead uncovers new layers of intrigue, old grudges, and carefully concealed motives that bind Marlow’s residents far tighter than they appear. “The Marlow Murder Club” (season 3) becomes a season where friendship is tested and the cozy town reveals the darkest sides of its inhabitants. (more…)
“Send Help” (2026) — unfolds as meek but razor‑smart corporate strategist Linda Liddle watches her long‑promised promotion slip away when the new nepo‑CEO Bradley Preston hands the job to his frat‑buddy Donovan, dragging her onto a Bangkok business trip where humiliation peaks mid‑flight as coworkers mock her earnest “Survivor” audition tape moments before a storm tears the plane apart, plunging Linda and Bradley into the ocean and stranding them as the only survivors on a remote island in the Gulf of Thailand. As Linda’s hard‑won survival instincts take over — building shelter, securing food, stitching order out of chaos — Bradley’s arrogance curdles into dependency, resentment, and paranoia, turning their uneasy alliance into a darkly comic, escalating battle of wills where every act of cooperation hides a threat and every moment of calm masks a new betrayal. Their island purgatory becomes a pressure cooker of shifting power, poisonous berries, failed escapes, and psychological warfare, each twist revealing how thin the line is between civility and savagery when two people who already hated each other are forced to survive side by side. “Send Help” (2026) positions itself as a sharp, chaotic survival comedy‑thriller where corporate politics mutate into primal conflict, and the fight to stay alive becomes indistinguishable from the fight to win. (more…)
“Not Without Hope” (2025) — follows four friends whose fishing trip off the Florida coast turns catastrophic when their boat capsizes seventy miles offshore, leaving them stranded in freezing, violent waters with no way back. As hypothermia, dehydration, and the rising storm strip away their strength hour by hour, the men cling to the overturned hull, fighting both the sea and the creeping realization that rescue may not come in time. In those first desperate hours, hope flickers between them like a fragile signal, each man trying to mask his fear to keep the others steady. But as the night deepens and the cold becomes merciless, the unspoken truth settles in: survival will demand more than endurance — it will demand impossible choices. As the hours stretch into an unforgiving blur, the group’s strength fractures under the cold, the darkness, and the brutal realization that the ocean is stripping away their chances faster than they can fight back. What begins as a collective struggle slowly becomes a test of individual endurance, where each man is forced to confront the limits of his body, his hope, and the promises he made before the sea turned against them. “Not Without Hope” (2025) positions itself as a stark, intimate survival thriller where the ocean becomes both executioner and witness, and the fight to stay alive becomes a quiet, narrowing struggle shaped by the sea’s indifference and the weight of a tragedy unfolding far from help. (more…)
6 episodes
“Gone” (season 1) — follows the disappearance of Sarah Polly, a respected headmaster’s wife, a case that fractures the quiet façade of a prestigious private school and the surrounding Bristol sprawl, drawing DS Annie Cassidy into an investigation where every polite smile hides a secret and every timeline feels rehearsed. As Michael Polly’s calm, inscrutable demeanor sharpens her instincts, Annie senses a deeper rot beneath the school’s polished reputation, a network of loyalties and silences that resists her at every turn. The more she digs, the more she feels the investigation shifting under her feet, as if someone is quietly steering the narrative away from the truth. Every new lead carries the faint echo of manipulation, a sense that the case is being shaped by forces with far more to lose than a single missing woman. The more she pushes, the more the case twists into a psychological duel, a slow tightening of tension where motive, trauma, and power blur into something far more dangerous than a simple missing‑person report. Shadows in the forest, inconsistencies in testimonies, and the unsettling precision with which Michael controls his narrative force Annie to question not just what happened to Sarah, but what this community is willing to protect. “Gone” (season 1) positions itself as a tense, character‑driven mystery where truth is a moving target, trust erodes under pressure, and the line between predator and victim shifts with every new revelation. (more…)
“Shelter” (2026) — follows former government assassin Michael Mason, living in self‑imposed exile on a remote Scottish island, where the silence, the sea, and his dog are the only remnants of a life he’s been running from for years, until a violent storm leaves a young girl stranded on his shore and forces him back into a world he tried to bury. As Mason shelters her, a single misstep on the mainland exposes his face to the wrong eyes, triggering a relentless pursuit by the agency he once served and the operatives trained to erase men like him. The more he tries to stay hidden, the more he realizes that isolation has made him slower, rustier, and dangerously out of practice. Every encounter on the run forces him to confront the version of himself he hoped had died on that island, a man shaped by violence and sharpened by necessity. What begins as an act of compassion spirals into a desperate flight across rural Scotland, where every safe house becomes a temporary refuge and every stranger a potential threat, pushing Mason to confront the ghosts of his past and the machinery of power that turned him into a weapon. The deeper they run, the more the lines blur between protector and target, between survival and redemption, as Mason realizes the girl’s presence in his life may not be coincidence but the catalyst for a reckoning long overdue. “Shelter” (2026) positions itself as a hard‑edged action thriller where isolation fractures under pressure, violence shadows every choice, and a man built for killing must decide whether he can still be something more. (more…)
10 episodes
“The Night Agent” (season 3) — follows Peter Sutherland as he’s pulled into an international crisis after a young Treasury agent vanishes with highly sensitive government intel, triggering a pursuit that drags him from Washington’s political pressure chambers to the volatile streets of Istanbul. What begins as a fugitive chase quickly unravels into a labyrinth of dark‑money networks, covert intermediaries, and assassins hired to erase anyone who gets too close to the truth, forcing Peter to operate off‑grid and trust no one. As he crosses paths with a relentless investigative journalist whose own leads intersect with his mission, the two find themselves navigating a web of buried secrets, institutional betrayals, and old grudges resurfacing with lethal precision. Every step forward exposes deeper layers of a conspiracy engineered to destabilize the government from within, pushing Peter into a race where every ally may be compromised and every revelation tightens the noose around them both. “The Night Agent” (season 3) positions itself as a tense, high‑velocity conspiracy thriller where loyalty fractures under pressure, danger moves faster than truth, and the cost of uncovering the real architects of the plot may be survival itself. (more…)
“War Machine” (2026) — follows the final recruits of a punishing special‑ops boot camp whose last days of training implode when a hostile force from beyond this world breaches the perimeter, turning their isolated military compound into a sealed arena where discipline fractures under the weight of terror. As the recruits struggle to survive, they realize the threat isn’t just alien but frighteningly adaptive, responding to their tactics with an intelligence that feels deliberate, as if it has been observing them long before the first attack. The deeper they push into the chaos, the more they uncover signs that their training program may have been designed not to prepare them, but to expose them — testing their breaking points, cataloging their reactions, and feeding data into something far larger than any of them imagined. The compound’s blackout, the missing instructors, and the sudden disappearance of communication lines only tighten the sense that they’ve been abandoned inside an experiment disguised as a battlefield. As paranoia spreads and alliances crumble, the recruits must confront the possibility that the enemy hunting them is not only extraterrestrial but intertwined with the very command structure they trusted. “War Machine” (2026) positions itself as a relentless sci‑fi survival thriller where young soldiers face a war engineered in the shadows, and where the line between human resilience and human expendability dissolves under the pressure of an evolving, unknowable predator. (more…)
8 episodes
“Hijack” (Season 2) — follows Sam Nelson as he’s pulled into a new nightmare far from the skies, trapped aboard a Berlin underground train seized by armed hostage‑takers, where every carriage becomes a pressure chamber and every wrong word could ignite catastrophe. Above ground, authorities scramble through political fog and fragmented intel to save hundreds of commuters, while below, Sam is forced to navigate a labyrinth of shifting motives, terrified passengers, and captors whose agenda is far more intricate than the chaos they project. The deeper he moves through the train, the more the crisis feels engineered to target him specifically, as if someone has been studying his every instinct. Even the rhythm of the train itself becomes a weapon, amplifying tension with every tunnel and every jolt of metal on metal. The season sharpens its real‑time tension into something colder and more psychological, as Sam’s year‑long hunt for the remnants of the first hijacking bleeds into the present crisis, blurring the line between justice and obsession. With the train hurtling through Berlin and negotiations collapsing faster than they can begin, the story coils into a claustrophobic thriller where control is an illusion, alliances fracture under pressure, and survival depends on whether Sam can outthink a threat evolving in real time. “Hijack” (Season 2) positions itself as a tighter, darker escalation — a hostage drama where momentum is a weapon and the past refuses to stay buried. (more…)
“Road House” (2024) — follows Elwood Dalton, a former UFC middleweight fighter spiraling after a traumatic incident in the ring, now drifting through underground bouts and barely holding himself together. When bar owner Frankie offers him a job as head bouncer at her chaotic roadhouse in the Florida Keys, Dalton reluctantly accepts, hoping the isolation will keep his past at bay. The bar is under constant assault from a motorcycle gang working for local crime boss Ben Brandt, whose family wants to seize the property and turn the town into their own empire. Brandt’s pressure campaign escalates from intimidation to outright warfare, dragging Dalton deeper into a conflict he never intended to fight. The violence surrounding the bar exposes the fractures in Dalton’s attempts to rebuild himself, forcing him to confront the rage he’s been trying to suppress. Dalton’s attempts to restore order pull him into escalating violence, from hospital confrontations to ambushes on his rundown houseboat, where he fends off attacks that leave bodies — and even a crocodile — in their wake. As Brandt brings in Knox, a psychopathic enforcer sent to eliminate Dalton, the conflict erupts into a full‑scale war that forces Dalton to confront both the criminals hunting him and the self‑destructive guilt he’s been running from. “Road House” (2024) blends action, dark humor, and character‑driven brutality as Dalton fights to protect the bar, its people, and the fragile sense of purpose he’s only just begun to reclaim. (more…)
6 episodes
“Under Salt Marsh” (season 1) — unfolds as Jackie Ellis, a former detective exiled into the quiet routine of a schoolteacher, is dragged back into the darkness she tried to escape when the drowned body of her 8‑year‑old student surfaces on the eve of a violent coastal storm, forcing her to confront the unresolved disappearance of her niece that destroyed her career and her life. The investigation reunites her with Eric Bull, the partner she once trusted and now barely tolerates, as both realize the new death echoes the old case with unnerving precision, suggesting a predator who has been hiding in plain sight within the tight, secret‑ridden Welsh town of Morfa Halen. As the storm closes in and the sea threatens to swallow evidence, Jackie pushes deeper into the community’s buried tensions — from powerful families guarding their reputations to locals who would rather let the truth rot than expose what lies beneath their traditions — each step tightening the noose around her already fractured psyche. With time running out and the town turning hostile, she must navigate guilt, suspicion, and the creeping sense that someone is manipulating the investigation from the shadows, pulling her toward a truth she may not survive. “Under Salt Marsh” (season 1) positions itself as a bleak, atmospheric coastal thriller where grief becomes a compass, the past refuses to stay buried, and every crashing wave threatens to reveal — or erase — the answers Jackie has been chasing for years. (more…)
